Live Show Protocol for Sound Crew
| Back to Sound Crew Hub | Troubleshooting |
The goal during a live performance is simple: Make the cast sound great and Prevent anything from breaking or feeding back.
This guide explains the roles, expectations, and rhythm of running sound during a show - whether you’re at the board or backstage helping with mics.
1. Pre-Show Checklist (60-30 Minutes Before Curtain)
Sound Board Operator:
For the cafetorium, use the Mobile Sound Setup Checklist
For the old Northview theater:
- Turn on the mixer and all wireless receivers
- Turn on the main speakers and monitors
- Verify all channels are correctly labeled and assigned
- Load the correct scene or preset if one is saved
- Check that music or sound effect sources (QLab, laptop, etc.) are connected and ready
- Confirm the Main L/R mix is routed and active
Backstage/Assistant Crew:
- Hand out mics to actors according to the mic chart
- Help with mic placement (see Mic Placement Guide)
- Check that each pack is:
- On
- Showing signal
- Not muted
- Securely attached
- Run a quick pack tap test or speak test if time allows
2. Final Sound Check (15-10 Minutes Before Curtain)
- One last check to ensure:
- No feedback
- All actors have their correct mics
- Music playback is working
- Keep all faders at -infinity until needed - this prevents accidental open mics
Tip: Some shows benefit from a 2-3 minute “house music off / quiet test” with the actors already mic’d - it helps spot last-minute issues before the audience hears them.
3. During the Show
Sound Board Operator (A1):
- Follow the script or cue sheet carefully
- Keep faders down until just before the actor speaks
- Use input gain + fader to balance each voice - adjust live for shouting or whispering
- Never leave a mic open when the actor isn’t speaking - prevents feedback and noise
Special Notes:
- Watch for mic swaps if an actor’s pack fails (backups should be ready)
- If feedback starts:
- Lower the fader
- Look at actor’s position (in front of speaker?)
- Apply a quick EQ cut or pan if needed
Backstage Sound Crew:
- Be ready to:
- Swap batteries or full packs mid-show
- Adjust or re-tape mics that slip or fall off
- Run interference if an actor is missing their mic call
4. Emergency Protocols
| Situation | Response |
|---|---|
| Mic dies mid-scene | Hand actor a pre-labeled backup pack if possible |
| Feedback starts | Drop the fader and mute the mic immediately |
| Music or cue playback fails | Switch to manual backup (e.g. play from phone or USB) |
Pro tip: Keep a small sound emergency kit backstage: fresh batteries, pre-labeled backup mic pack, spare tape, and windscreen.
5. Post-Show Wrap-Up
- Turn off all wireless packs and receivers
- Collect all mics and store neatly (untape carefully!)
- Check for damage or broken tape connections
- Recharge or replace batteries as needed for the next performance
- Save any mix changes that worked well during the show
Clean windscreens and mic booms gently if multiple actors use the same headset.
DOs and DON’Ts
| DO | DON’T |
|---|---|
| Stay focused and follow the script | Don’t chat or check your phone during cues |
| Keep your finger on the mute if needed | Don’t leave faders up “just in case” |
| Communicate quietly and clearly backstage | Don’t yell for someone to “fix the mic!” |
| Stay calm and professional | Don’t panic if something breaks - work the plan |
For New Crew Members
- Learn mic cue timing by watching rehearsals closely
- Always know which mics are “live” at any moment
- If something goes wrong, lower the fader first, then troubleshoot
- Watch the A1 - ask questions during tech, not the show